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Star wars hyperspace sound effect
Star wars hyperspace sound effect








Chang talking with Ben Burtt about the sound of Star Wars. “We’ve created a ‘world of sounds’ that’s coherent and can endure the passage of time…it’s been over 20 years, and Star Wars still has a distinct sound to it.”Ĭontinue reading at Film Sound | Part 1 | Part 2 | Part 3Īnd… I can’t pass this Article/Interview by Maria L. “I think we’ve achieved that with Star Wars,” he says. One of Burtt’s goals are to establish a set of sounds which could stand the test of time. “We’ve got lightsabers, we’ve got lasers, we’ve got so many signature effects which reoccur in this movie, and I think it’s only appropriate to touch on those because they’re familiar to the fans.” While creating innovative atmospheres, Burtt takes great care to stay true to the original Star Wars ambiance.

star wars hyperspace sound effect

“You have to be constantly ready,” he says, “because good sounds often come to you by accident: lightning storms, strange vehicle noises, glaciers breaking apart…it can happen anywhere.” These recordings, most of them never used before, have provided Burtt with fresh raw material to mold into new Star Wars sounds. In all his travels, from his back yard to the far reaches of an exotic country, B urtt has carried his recording equipment with him, capturing everything and anything on digital tape. He also drew upon the large collection of sounds he has recorded during the last decade. Even though he could draw from an extensive library of sounds, including those used in the Star Wars and Indiana Jones trilogies, for the Episode I project Burtt went out to record new samples. R2-D2, and the lightsabers.”įollowing the Special Edition project, Ben Burtt stayed on board for Episode I.

star wars hyperspace sound effect

“It was exciting to go back and get in touch with the picture again, the old friends who were there.

star wars hyperspace sound effect

“I was the only one who could remember where most of the stuff was, where the tapes were, what we had done,” he says with a smile. He went back to Sound Designer’s chair again for the Star Wars Trilogy Special Edition. Let’s talk about the sound desgin of Episode I: Phantom Menace.īen Burtt left Lucasfilm in 1990 to pursue other interests as a freelancer: writing, directing, editing. The Star Wars Special continues with our featured sound designer Ben Burtt.










Star wars hyperspace sound effect